However, that elongation should involve only the legs. There is a convention in fashion illustration that a figure should be elongated to give it more elegance.
Once you have drawn these shapes in the relative sizes shown (opposite), in a straightforward front view, you can move them around like parts of a wooden drawing dummy to create the pose you want. The head can be portrayed as an egg the chest as a wastepaper basket the pelvic area as a wide gymnastic vaulting horse the limbs as tapering tubes the feet and hands as cones and the joints as balls. For fashion purposes, this can be stretched (below the waist only) to eight-and-a-half head sizes. The height of a realistic human figure from crown to toe is around seven-and-a-half times the height of the head. This architect wrote in Roman times that the human body Is the Ideal architectural model because It fits, with arms and legs extended, Into the perfect forms of both the square and the circle. He drew this illustration of a precisely proportioned figure to accompany his notes on Vitruvius.
Leonardo da Vinci is renowned for his realistic representations of the human body. Male and female bodies can both be broken down into However, these variations should be incorporated once the basics have been sketched.
There are obvious differences in the male and female forms, such as narrower waists and wider hips for females and squarer chests and faces for men. The exercise has nothing to do with creativity but will help you grasp the possibilities and restrictions of the framework on which your creations will hang. The exercise in figure drawing described in Unit 8 will Introduce you to a simple and easy system that you can use to draw figures that are roughly in proportion. It is important, therefore, to gain some understanding of the structure and proportions of the human body. As a fashion designer you should always remember that clothes are made to be worn by real people.
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